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about

Blue Mistake, Red Mistake is the project of four musicians: Matija Schellander, a contrabass player living in Vienna; Jean-Luc Guionnet, a sax player based Paris; Beijing-based Yan Jun, who was staying in Berlin on a residency when this album was recorded; and percussionist Seijiro Murayama, who at the time of the recording had been living in Japan for several years (but before then had lived for a long time in France and now resides in Paris). The four got together and launched the project in March 2017, when Schellander was carrying out a residency at the jazz/improvised music festival Artacts in St. Johann in Tirol, Austria. They gave four performances over a week-long period, starting at the Artacts festival and then in Graz (Austria), Vienna and Ljubljana (Slovenia).

This album's one track (about 44 minutes) is the performance in Ljubljana. Yan Jun, who usually plays electronics, performed with his voice only. Murayama used snare drum and voice. The interior of the venue, Galerija ŠKUC, was like a long, narrow hallway which had several adjoining rooms without doors in between (as if the walls had been taken out). For this project it had been agreed that, in each of the concerts, three of the musicians would play close together and one would be far away. In this concert, Schellander started performing quite far back, at a distance from the others, and during the concert he moved to different rooms.

The overall mood of the performance is minimalist, with a limited number of sounds, but occasionally there are intense percussion sounds. Together with a cool but strong feeling of tension, the sonic perspective and dynamism create an amazing effect which, in combination with the excellent recording quality, result in a truly superb album.

Blue Mistake, Red Mistake は、オーストリア、ウィーン在住のコントラバス奏者のマティヤ・シェランダー (Matija Schellander) を中心に、フランス、パリ在住のサックス奏者、ジャンリュック・ギオネ (Jean-Luc Guionnet)、中国北京在住 (本アルバム録音当時はレジデンスでベルリンに滞在) のヤン・ジュン (Yan Jun)、そして打楽器奏者の村山政二朗 (長らくフランスに暮らし現在もパリ在住だが、本アルバム録音当時は数年間日本に住んでいた) の4人によるプロジェクト。2017年3月、シェランダーがオーストリア、サンクト・ジョアン・イン・チロル (St. Johann in Tirol) のジャズ / 即興音楽フェスティヴァル Artacts でレジデンスとして滞在中に、4人が集まりスタート。Artacts フェスティヴァルを皮切りに、1週間の間にオーストリアのグラーツとウィーン、スロヴェニアのリュブリャナと4回の公演をおこなった。

本アルバムには、最後のリュブリャナでの演奏、約44分の1曲を収録。ヤン・ジュンはエレクロニクスを使うことが多いが、ここではヴォイスのみを担当。村山はスネア・ドラムとヴォイス。会場である Galerija ŠKUC の室内は細長いホールのような形状で、別の部屋がいくつか隣り合っているが、その間は壁がくり抜いてあるかのようにドアがない。このプロジェクトには、「4人のうち3人はお互い近くで演奏するが、ひとりだけは遠く離れたところに位置する」という約束事があり、この公演では、シェランダーがほかの3人のかなり後方で演奏を開始し、演奏中に別の複数の部屋へ移動したりしている。

かなり音数を抑制したミニマリスティックなムードが全体を支配する中、時折、強烈な打音が響く。ひんやりとした強度な緊張感とともに、音の遠近感やダイナミズムがこのうえない効果をあげ、録音の素晴らしさも相まって最上の作品が生み出された。

credits

released June 14, 2020

Yan Jun: voice
Jean-Luc Guionnet: alto saxophone
Matija Schellander: contrabass
Seijiro Murayama: snare drum, voice

Recorded by Jean-Luc Guionnet at galerija ŠKUC, Ljubljana, Slovenia, March 16, 2017
Mastered by Kassian Troyer, Berlin, 2019

Special thanks to Karin Girkinger, Hans Oberlechner, Špela Trost, Tomaž Grom, Dieter Kovacic, Noid, Maru, Joško Pajer

Supported by SKE Fonds

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